Myth is not treated as a distant story but as a living language capable of describing contemporary human experience. Ancient heroes, symbolic figures and archetypal narratives return as metaphors for ambition, desire, fall, transformation and rebirth. Icarus becomes one of the central figures of this research, suspended between the desire to rise and the awareness of human limits.

The sea is imagined as an immense archive. Stories, fragments, sirens, boats, bodies and memories emerge from a Mediterranean landscape in which historical reality and imagination overlap. Developed in dialogue with the Museo del Mare di Napoli and the project Racconti del mare, the cycle transforms maritime memory into a visual narrative.

Painting leaves the studio and becomes an event. In SUEÑO, the painted gesture enters into dialogue with Argentine tango, rhythm and the movement of the body. The act of painting is no longer only the production of an image but a temporary encounter between space, music, movement and visual sign.

Naples is interpreted as a city made of overlapping narratives. Partenope, popular symbols, superstition, sacred imagery and fragments of daily life form a visual mythology in which history and legend are inseparable. Familiar signs are removed from their ordinary context and transformed into contemporary emblems of identity.

An ongoing visual research dedicated to Argentine tango and to the relationship between two bodies in movement. The embrace, balance, tension, waiting and improvisation become elements of a pictorial language in which the figure is never completely static. Tango is investigated not only as dance, but as an emotional and spatial condition: a continuous negotiation between proximity and distance, control and freedom, silence and rhythm.